Corey Brickley was commissioned by The Folio Society to illustrate the binding and 6 internal illustrations for ‘The Folio Book of Horror Stories’, released as part of their Autumn 2018 collection.
Corey’s brooding, atmospheric style with its particular noir nuances made him the perfect choice to illustrate the stories collected within this anthology, ranging from classic to contemporary. Corey had to navigate the balance between depicting physical embodiments of supernatural phenomena with the more suggestive elements of horror that are intangible, dwelling in the psyche. The result is this series of beautiful expressive images that transport the reader into terrifying fictional worlds.
See more of Corey Brickley’s portfolio on the Debut Art website here: https://www.debutart.com/artist/corey-brickley.
You can view full details of the book and purchase it here: https://www.foliosociety.com/uk/the-folio-anthology-of-horror-stories.html
Debut Art is pleased to announce that we are now representing artist Andreea Dumuta! Andreea Dumuta is a Romanian illustrator known for her bold and eclectic visual language that blends dark, moody motifs with playful, vibrant colors. Her work often draws inspiration from nature and the animal world, resulting in a diverse body of illustrations that are both whimsical and striking. With a growing presence in the publishing industry, Andreea has illustrated numerous book covers for international publishers including Macmillan, Hachette, Penguin Random House, Simon & Schuster . Her commercial portfolio also includes personal and collaborative projects. Beyond her commissioned work, she continues to explore self-initiated projects that push creative boundaries and reflect her interest in the surreal, the satirical, and the symbolic. When she's not illustrating, Andreea enjoys watching films, exploring the outdoors on long walks, and discovering new music. See Andreea’s full portfoli...
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.