WE NEED YOU to help the Birmingham Children’s Hospital raise £2 million pounds to create the most advanced cardiac unit for children in the UK.
Début Art have teamed up with the hospital to put on a week-long Family Art Festival starting April 12 at the Bullring in Birmingham city centre, and finishing Sunday 18th April. With 4 Début Art illustrators doodling all week.
The new ‘hybrid’ theatre will allow different procedures to be carried out on the same patient, in the same room, at the same time. Meaning more patients/children can be treated.
In addition to increasing the number of patients that can be cared for, the new hybrid theatre will cut down the number of operations children often face. This means less stress on them and their families and less time in hospital, freeing up capacity for others.
With some of the money raised also being used to increase the number of intensive care unit beds available in the hospital from the current 20 to 31. Which in turn will reduce the need to send children to other hospitals. A good thing for sure right?
Celyn, Harry Malt, Jon Burgerman and Serge Seidlitz will be creating giant, heart-themed canvases live. Each artist will be drawing the outlines with visitors to the Festival getting involved colouring it in and maybe even getting to draw on a fireman or two.
The event starts on the 12th and Jon Burgerman will be there on the Monday, Harry Malt Tuesday and Wednesday, Celyn Thursday and Friday and Serge Seidlitz will be there for the weekend.
Our buddies at POSCA have very very kindly donated all the pens. The POSCA water-based marker range gives vibrant colours that are perfect for eye-catching designs that hog the limelight without fading in it. POSCA pens produce opaque, vibrant colour and can write on paper, plastic, glass and fabric. Used by artists all over the world they are perfect for creating unique attention-grabbing designs, illustrations and posters.
So... if you're up that way or know anyone that is please do get them to go along and support the Début Art guys and help them raise money for this worthy charity.
LINKS TO CHECK:
Donate NOW - Birmingham Children’s Hospital direct donations
Our Flickr for updates, we've created a set just for this project. Check here - Flickr.com/photos/debutart
Début Art's Twitter - twitter.com/debutart
POSCA's Twitter - twitter.com/uni_posca
See you there.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here