We are very proud to show you Barbara Hulanicki for Topshop. A project we have been working with Barbara Hulanicki and Topshop on for near on 7 months now.
Topshop is renowned for working with style heroes of the past, present and future, and today marks the 'oldest' youngest collaboration yet, in it's coming together with Barbara Hulanicki.
Continuing from where she left off in the 70s, Barbara Hulanicki re-joins the fashion world with an exciting series of clothes that is fresh and full of energy. Whilst rich with reminders of Biba in its heyday, the collection is a distinct move away from the pretty designs of the past. Clothes are brought up to date by modern prints and edgier shapes for a new generation of fans, making Hulanicki one of the most influential and inspirational style icons of the Twentieth Century. Having spent the last fifteen years designing furniture and hotels worldwide, Hulanicki reverts back to her first love of fashion illustration as the starting point for the Barbara Hulanicki for Topshop collection. The enchanting ‘ladybug’ and ‘headscarf girl’ designs appear on delicate chiffons, the bold ‘enlarged animal print’ is splashed over silks and jerseys, and quirky large placement sketches of fashion girls stand out on t-shirts and accessories. Perfect for any occasion or mood this spring, the collection takes on a split personality of Good Girl/Bad Girl dressing.
Beachwear finishes off the collection with a ‘headscarf lady’ printed retro-shaped bikini set and oversized floppy sun hat in either bright or pale pink, and a large beach bag emblazoned with the ‘silhouette girl’; each an essential for any fashionable summer holiday!
Go go go and buy now at topshop.com. Whilst you are there, there is an excellent interview with Barbara here and an awesome video lookbook here.
Also....check out Barbara's folio here. She really wants to draw, so look forward to hearing from you.
Début does fashion.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here