‘Untitled/Re-assembled. Intersections of form and content: Studio Process, Collage and the Graphic Archive', an exhibition of work by Alex Williamson, is currently on display at the Windgate Gallery, part of the Windgate Centre for Art and Design at the University of Arkansas, Fort Smith.
The exhibition offers an extensive and comprehensive insight into Alex’s practice over the past 20 years as an image maker and illustrator specialising in collage. Editorial, advertising and design commissions are displayed alongside Williamson’s process sketches and works in progress, highlighting the role exploration plays in the formation and production of each image.
This deliberate arrangement of exhibiting speculative sketches next to ‘final’ artworks references Schwitter’s Merz principle of ‘equal evaluation’. As outlined in the exhibition’s statement:
“The approach is intended to be ‘non-precious’, reflecting the spirit and loose, associative nature of the working method, and to challenge the way the works are viewed collectively as part of a process as well as how they can be seen outside of their individual, ‘real world’ destinations as mass printed, often disposable, entities.”
The most accessible (and therefore often the most defining in the public's eye) elements of an illustrator's work are their published pieces. However, conceptual thinking and technical knowledge are crucial components of an artist's practice, forming the basis on which their work is created. By acknowledging this in the curation of his exhibition, Williamson brings this vital critical understanding to the forefront of our attention.
The exhibition runs until mid-June 2019. You can view more of Alex Williamson's work in his portfolio here: https://www.debutart.com/artist/alex-williamson
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here