We're delighted to share the outcome of Tobias Hall's collaboration with WCRS for the latest Warburtons nationwide campaign, a mammoth project that called on Tobias to create an aesthetic identity for their nationwide print and digital campaign.
Warburtons has become well known for its blockbuster approach to advertising, and they made no exception for their latest offering. British-born comedian Peter Kay was called upon to be the heart, face and indeed body of the Regency-era epic drama, a bread-themed parody of Jane Austen's 'Pride and Prejudice'.
In creating the still assets to accompany the television spot, Tobias maintained the 19th Century look and feel of the advert. He sought inspiration from hand-painted adverts of the period, bringing them up to date with a modern and lighthearted twist in keeping with the humour of the campaign and with Warburtons' instantly recognisable branding.
Tobias' particular ability to create rich, intricate designs that are both refined and dynamic is on full display here, with his attention to detail making each design unique in its own way whilst remaining cohesive as a poster series.
The resulting posters are on display nationwide, and more of the posters can be seen in full here, here and here. You can also learn more about Tobias and view more of his work online by clicking here.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here