We are delighted to share Joe Wilson’s collaboration with Antidote and Ascot Racecourse ‘A World Like Nowhere Else’: a bespoke, hand-painted globe telling the story of Royal Ascot’s long-standing traditions and rich heritage.
Joe’s illustrations depict some of the most iconic and recognised elements of Ascot, including the Royal Procession, the renowned Greencoats, Afternoon Tea, the famous bandstand, and of course the well-heeled attendees, all rendered in his exquisite and fine detailing.
London-based globe makers Bellerby & Co. took the globe to its final iteration, cutting, painting and applying Joe’s illustrations to the structure by hand to create the wonderful final piece. The globe was unveiled at The Goring Hotel in London and is now on a tour of London and the South East for public viewing. It will then take centre-stage at the Royal Ascot racecourse from Tuesday 20th June until Saturday 24th June 2017.
The “A World Like Nowhere Else” campaign, features images and films showcasing the globe and will run across outdoor, press, digital, ECRM, social and on VOD.
View Joe Wilson's stunning portfolio of works here
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here