Debut Art is proud to present the exhibition of Andrew MacGregor: The Celebration of an Icon, which will be held at the Coningsby Gallery from 23 May 2016– 3 June 2016.
Andrew MacGregor’s latest exhibition is inspired by the nostalgic and inviting symbolism that the pineapple has evoked through the centuries and how it can be reinterpreted yet equally celebrated today. With the growing social unrest, there is a need to remember the beauty in our cultural influences and how we have adopted this exotic plant as a global symbol of hospitality.
Andrew MacGregor is an established paper sculptor and illustrator. Known for his multi-coloured hand-painted pineapple prints, MacGregor has gone a step further by creating a new series of work focusing on the iconic pineapple in 3D paper form, bringing our love of the exotic fruit to aesthetic heights.
For his exhibition at the Coningsby Gallery he will be presenting his latest sculptural and hand-painted work, ranging from a mixed media installation of new paper sculptures and large scale paintings, to an animated video. Amongst the works shown will be an exclusive selection of his original pineapple paintings produced for print, none of which have ever been shown before as box framed artworks.
With a creative eye and commercial sensibility, MacGregor’s previous shows include TdlM-Non Pareil paper fashion monsters at Men’s fashion week 2012, HARK – Jaguar Shoes paper installation 2012, In It To Win It – Book Club paper installation 2012, Assembly agency installation – 2012, and AAF Battersea 2014 and 2015 where his work sold out on the first day.
May 22nd - June 4th 2016 Open daily 10am-6pm (including Bank Holiday Monday)
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here