Leading original artists & illustrative designers agents since 1985
London   New York   Tokyo

Oscar Wilson and Canongate Books Win Best Jacket Design Award

Oscar Wilson and Canongate Books Win Best Jacket Design Award

We are proud to announce that Oscar Wilson’s illustration for Canongate Books Gil Scott Heron Memoir: ‘The Last Holiday’ won the Best Jacket Design category at last night’s British Book Awards.

The judges commented on the work: “This arresting design evokes 60s counter-culture art in a contemporary and well-realised concept, with front/rear covers and spine working together to create a powerful and effective image.”

Oscar worked closely with Art Director Rafi Romaya to deliver this winning piece of work. As a massive fan of soul / funk / jazz music; Oscar was delighted to be involved with the project, and very proud that his first ever typographic portrait was of such a great as Gil Scott Heron.

Rafi explains the project and why she commissioned Oscar: “The plan was to create a bespoke and personalised jacket befitting for Gil’s memoir, The Last Holiday. Taking inspiration from Gil's landmark collection 'The Revolution Will Not Be Televised', we wanted to create an image as iconic as photographer Chuck Stewart's album cover shot whilst also representing Gil's poetic lyricism and artful use of language throughout his music, poetry and books.

Having seen Oscar Wilson's 'street-art style' visual work, which we felt might complement Gil's poetry, we approached him to attempt a typographic portrait using a mixture of Gil's album titles, song titles and most iconic phrases.

It was a gift of a book to work on and I hope we have a created a jacket Gil himself would have liked, had he seen it, and that winning Best Jacket Design Award at the British Book Awards 2012 would have made him smile!”

We definitely think Gil is smiling at the news, as are we. Well done to Oscar, Rafi and all at Canongate Books.

Limited edition screen prints of the cover art are available to buy from Canongate's website

Recent articles

Grundini News.png

Steven Heller on Peter Grundy (AKA Grundini)

Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here

Trump Final.jpg

Eoin Ryan covers Trump's impact on electric vehicles.

Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here

92053_full-retina_22.jpg

Lisa Sheehan / "It's a Rich Man's World"

Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.

NEW_SARA GIRONI G.png

Welcome Sara Gironi Carnevale to Début Art

Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here

Read more news