Continuing on from last years collaborations with Ted Baker, Harry Malt & Serge Seidlitz have been asked to help celebrate the in-store launch of Ted Baker’s SS12 campaign The Great Exhibitionist and his Private Views, Ted with a host of other acclaimed illustrators to create a digital fashion portrait service called Ted’s Drawing Room.
Launching on 17 March 2012, the initiative, devised by Guided Collective, will see over 100 lucky customers receive a signed and framed, original, one-off fashion portrait created by one of 11 top illustrators.
Shoppers will be invited to pop into store, try on pieces from the new collection and pose for a photo in one of Ted’s ‘Exhibitionist’ photo booths. An image of their Ted look will be taken using Instagram and the photograph will be automatically beamed straight into the artist’s studio – Ted’s Drawing Room, situated in Ted's London HQ – to be re-created by one of the illustrators as an original piece of artwork.
The artists will ‘choose their muse’ from the photos sent through to Ted’s Drawing Room and draw the looks that inspire them most. Ted will send those that have their portrait done a digital copy to share and show off and then a signed, framed original version soon after. The finished portraits and the photos that inspired them will be exhibited in a gallery on Ted’s Facebook page.
A film crew will be on hand to capture the illustrators hard at work and will broadcast live footage back into participating stores and to Ted’s Facebook page, allowing the public to watch the masters at work.
A selection of lucky customers will receive a time-lapse film of their portrait being created which can then be shared with friends on social networks.
For more information on the initiative, the illustrators involved and a list of participating Ted Baker stores please visit: www.tedbaker.com
Once finished we'll upload all the pics to our Flickr.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here