Début Art & The Coningsby Gallery are proud to announce the solo exhibition of Paul Davis' latest collection of work: ‘These Drawings Were Sent Down To Walk Amongst You’.
The show will comprise drawings, paintings and possibly the occasional photograph and perhaps a small sculpture. Some images will be framed on the wall like normal; others will be in archive sleeves in archive boxes set upon tables. He can't help producing lots of drawings. The writer Adrian Shaughnessy once said "He paints a picture of furious productivity. He works every day. Drawings pour out of him; he draws as often as other people draw breath"
The work concerns itself with the usual suspects: the perpetual bombardment of what life throws at you; love, sex, death, wealth and penury, idiocy, marketing, dark comedy, politics, religion, over-heards, and, just as important, the joyful act of making a picture. He tries to question what it is to be conscious of what it is. Davis admits that he doesn't have the answer and never will.
Rick Poynor describes him well: "This is how he operates. The people in his pictures seem real because usually they are real. He interrogates friends and acquaintances. He listens in on conversations in bars and restaurants – ‘Yes, my husband’s penis is rather small’ – and overhears moments of unfortunate candour and self-revelation in the street: ‘Fuck off. Of course I love you.'"
And Geoff Grandfield says "Perhaps it is exactly the fact that his humour, honesty and ability to prod and question are not comfortable, that he is so resistant to compliance, that makes his art such a perfect extension of his personality and continues to be so compelling and so inspiring"
In his own words "I have never found my voice. That's the beauty of it, you never do - it's an impossibility as an artist."
20th February - 3rd March 2012 The Coningsby Gallery 30 Tottenham Street London, W1T 4RJ Open weekdays 9am to 6pm.
Private View 21st February 2012, 6pm - 9.30pm.
And for more of Paul Davis' work please click here to see his full portfolio.
Steven Heller, a member of the Art Director Hall of Fame since 1996 and author, co-author and editor of over 200 books on design covered Grundini in his latest article for the Daily Heller. Describing Peter, Steven wrote: " [he is] an exemplar of the commedia dell’arte style of data visualization, a maestro of transforming statistics into pictorial passion plays. Icons are his meat, and they are seasoned with wit and humor, color and conviviality. They brighten up the stage, the page and the screen. They scroll with a certain rock and roll." You can explore the article in full here You can find more brilliant work from Grundini here
Eoin Ryan's fantastic cover for Electric Hybrid Magazine's 30th Anniversary issue. The cover focuses on Trump's impact on electric vehicle development. The illustration contrasts Donald Trump’s head, filled with pollution and fumes against a fresh green eco background visualising fresh air and carbon neutrality. You can find more of Eoin's newest work here
Wired Magazine's Money 2025 money issue, aptly titled "It's a Rich Man's World," as imagined by artist Lisa Sheehan. How did she bring this piece to life? In her own words: "To make the credit card as authentic as possible I redrew the American Express pattern in Illustrator with the WIRED headline included. The card was then created in Cinema 4D and I drew the etching of Trump in photoshop. This all came together and was animated to give the feel of an apple pay screen. This was a multi disciplined approach, 2D textures drawn and then rendered in 3D." You can check out the animated piece and more of Lisa's work here.
Welcome to Sara Gironi Carnevale who recently joined Début Art. Sara lives in Italy and has been illustrating since 2016. Sara works digitally but her process remains traditional in terms of brainstorming and composing. The illustrations are done in a sketchbook before refining them in Procreate and then finalising all artwork in Photoshop. Her work is vibrant, luminescent and dreamlike, with intricate details, strong concepts and compositions. Sara has the ability to present complex topics in a way that is visually easy to understand. Her illustrations can be seen in numerous magazines, newspapers, books and prints. She has also been experimenting with animation. See Sara's full portfolio here