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Patrick Morgan
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advertising colour corporate design editorial publishing subject techniques / style

advertising

advertising posters product storyboards type design typography

colour

black blue green grey pink purple red yellow

corporate

annual report business corporate decisions

design

branding conceptual customisation fashion design lettering limited edition maps packaging pattern

editorial

editorial health lifestyle

publishing

publishing

subject

alcohol buildings cars celebrity cityscapes environment eyes faces fashion floral food & drink furniture hair interiors landmark landscape lips men music nature people places plants portrait shoes shopping sport still life technology telecommunications travel trees women

techniques / style

60's architectural digital hand drawn handwriting inks likeness line loose painterly pen & ink pencil printmaking watercolour
ALL
ILLUSTRATION
MOTION
DESIGN

Biography

Patrick Morgan (b.1977)
Trained at the Royal College of Art, Patrick has worked as a commercial artist for over 15 years receiving commissions from famous designers and exclusive patrons; Yves Saint Laurent, Tom Ford, Chanel, Fendi, The Royal Academy of Arts, The London Olympics, and was personally commissioned to do a portrait of US Vogue Creative Director Grace Coddington.

Major works created in collaboration with Tom Ford for the English National Ballet, Ballet Russe’s 'The Firebird', which was then reused to represent Art and Culture at The Mayor of London's Office for the Olympics during 2012. Morgan also designed the Justin Timberlake world tour and for Christian Dior and for the James Bond film 'Spectre'.

Tom Ford
“Whether a wisp like portrait or a dynamic figure with a shock of background colour Patrick’s drawings are always elegant and contemporary.
His confident line and natural talent produce strong statements on the progression of modern fashion illustration noting the likes of René Gruau and David Downton.”

David Bamber, Tom Ford

Wallpaper
“A rich and varied collection of progressive portraits and expressive still lives, there is something here for all lovers of contemporary art.
For this decade-defining body of work.”

Tony Chambers, Editor-in-Chief Wallpaper

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