Launch
William Bradford-An Arctic Summer Oil Back Cut
U.S. Oil
Old News
Route 66
Happy Christmas
Space Wheat
Mother Earth
Palestine Peace
Constructive
Atomic
Austerity
Blair Selfie
Gleneagles
Downing Street Runway
Battleship
Alliance
Stop The War Map
Business As Usual
Backs Turned
Peace
Gambling
Earth Rocket
Medal Of Honor
Indifference
Downing Street Runway B&W
Rocket Collage
Shreds
Cash Flow
Jet Muzzle
U.S. Dirt
Rocket Mask
Blood For Oil
Give Back
Shredded Medal
From throwing dust, blood and oil onto a flatbed scanner for their first series of prints (Award) the collaborative work by Peter Kennard and Cat Picton Phillipps has grown in size, style and medium. The artists work on paintings, combining oil paint with digital printing as well as large scale works printed on newspapers, which are ripped and pummelled in an attempt to physically portray the war-torn country and a people devastated by relentless attack.
Cat Picton Phillipps was born 1972 in Edinburgh, Peter Kennard 1949 in London. They have worked in collaboration since 2003 been part of nearly 30 shows and exhibitions in that time - from Santa’s Ghetto in Bethlehem to the Tate Modern in London, Norwich to Eindhoven, Porvoo local library in Finland to the Imperial War Museum in London, Victoria&Albert Museum to Budapest, Copenhagen to Ljubljana.
Their Award print portfolio is in the V&A permanent collection and their commissioned works include the exhibition DEMO for London’s City Hall and the Palestinian Cultural Centre in London.