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The Folio Anthology of Horror Stories
Girl
Eroica Nova
Cycles
Wild Wild Country Reel
Bonfire
Ralph Nader Interview / Playboy
What Big Teeth / Macmillan US
A Trade War Could Leave Investors With Few Places to Hide / New York Times
Skill Gap Mapping
Buzzfeed Keep Your Enemies Closer
The Fascinators
Bucket List
Kleptocracy in the U.S / The Atlantic
Drug Baron feature / 1843 Magazine
Monsters Come Howling In Their Seasons / Verge
Eyewear / Ted Baker and Mondottica
Mister Stickum
Blind Chance / Arrow Films
Surgery / Vice
Ciri
Trauma Floor
City Girl
Facebook Content Moderators / Verge
Google Diversity
The Game / Arrow Films
Slaughter House Five / Arrow Films
Is Tech Too Easy To Use? / New York Times
Children of Men / Arrow Films
Number Hunter
Distrust Between Police and Transgender Community / SPLC
Moon Mining
Portrait / Self-Initiated
High Country News
Die Trying / Buzzfeed 2
YouTube / The Verge
The Cartel Next Door / Texas Monthly
Wild Wild Country Stills
John Wick / Empire Magazine
City Kid
Film Buff / Arrow Film
Boby 1 / The Verge
Atlantic Apprentices
Atlantic Automation
The Folio Anthology of Horror Stories
Cyber Warfare
Cinema of Conflict: Four Films by Krzysztof Kieślowski / Arrow Films
Bloody Spear / Arrow Films
Boby 2 / The Verge
Boby 3 / The Verge
Survivors / The Huffington Post
Homelessness Autism
Vasterien / The Folio Anthology of Horror Stories
The Fall of the House of Usher / The Folio Anthology of Horror Stories
Andromeda Strain / Arrow Films
Gun Control Interview / Teaching Tolerance Magazine
David Portrait
Wild Wild Country Soundtrack / Netflix
Could We Be Facing the Beginning of the End for Monsanto? / Playboy
Death Doula / Experience Magazine
Dark Money / New York Times
Die Trying / Buzzfeed 3
Count Magnus / The Folio Anthology of Horror Stories
UARTS PHL Arts
Loveless
The War of the Five Boroughs / Vice
Badness Rising / KPM
Teen Suicide
Ancients / Lush
Trump Factory / Playboy
Jets Over St. Petersburg
Bullet Brain Surgery
Television / Hollywood Reporter
Arrow Film Taisho Trilogy Suzuki I
Autism & Immigration
First Death / Vice
Third Wave / Stern Magazine
Rudolph Schenker Interview / Planet Rock Magazine
Fathers Day / Crown Royal
Keepers
Personal Work: Portrait 3
Blood Youth / Beyond All Repair
Fire Escape!
Personal Work: Portrait 1
Equinox
Die Trying / Buzzfeed
Guerilla
Damn / Kendrick
Wine and Weed / Playboy
Gold Floral Pattern
Arrow Film Taisho Trilogy Suzuki II
Personal Work: Float
Lamb Chop Flotus / Mojo Magazine
Year 2050: Sushi / Vice
Year 2050: Insects / Vice
Personal Work: Portrait 2
Exes
The Disappearing Soldier
Suzuki Cover 3
Oh! You Pretty Things
Fiction / Vice Magazine
Dixon
Masculin Feminin
Green Roofs Grid
How the World Ends / Vice
Weed Farming / Vice
Coleman
Alphaville
Feeling the Strain
Cracking the Cranial Vault
Nasser Hussain
When The River Rises
Berlin Syndrome
Year 2050: Surfing / Vice
Show Flier
Immunity
Infinite Jest
Prairie Dogs
Angels on Earth
Vivre Sa Vie
Self-Driving Cars
Wallpaper
The Disappearing Soldier 4
Lemon Heads
Oil Well
Portrait
The Shooting Gallery
Location
Haunted By The Past
Skeletonboy
Paul
Country Mouse City Mouse
Lost And Found
The Disappearing Soldier 3
Dancing Bear
Surveillance States
Kanzi Sketches / Pacific Standard
Biography
Corey was a winner of the 62nd annual Society of Illustrators competition for his work on “The Folio Society Book of Horror Stories.”
Corey was a winner of the Communication Arts 2017 Illustration Competition.
Corey has been announced Merit Winner of the 3x3 Professional Show, reproduced in the 3x3 Illustration Annual No.13.
Corey is a winner of the American Illustration 35th annual competition for his motion illustration work with The Huffington Post.
Corey Brickley was born in the U.S. In 1987 and now lives and works as an illustrator in Philadelphia. He is also an illustration teacher at the University of the Arts in Philadelphia.
Corey Brickley is a graduate of the University of the Arts' Illustration program in Philadelphia, PA. Corey creates concept-driven illustrations for editorial, publishing, music and advertising. He is a digital artist who uses a healthy mix of 3D, texture, and Wacom-based painting. His work is concerned with surreal and graphic juxtapositions.
Corey primarily works in editorial and publishing and specializes in motion graphics and animation.
Previous clients include: The New Yorker, The New York Times, Netflix, The Folio society, Ted Baker, Penguin, Macmillan, Harpercollins, Vice Magazine, Variety, Vanity Fair, Verge, Texas Monthly.
Dream clients: Tor, The Criterion Collection, 4AD Records.
