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Trump / The Financial Times Weekend Magazine Cover
Trump / The Financial Times Weekend Magazine
Mogherini At Midterm / Politico
Chet Baker / Ethan Hawke / Metropolitan Magazine
Gravity's Muse - Smithsonian Magazine
A Walk With Travis / Business Life Magazine
Grainger Safety Poster
Bro Science / Men's Health Magazine
Books Of The Year / New Statesman
Kiehls Clearly Corrective Solution
Telecommunication
2050 AD
Untitled (with balloons)
The Washington Post / Weekend Going Out Guide
Trump / The Financial Times Weekend Magazine Cover
Brexit
Bank Rates
Briefings Magazine
In Time
The Bear Wrestler / Cincinnati Magazine /
![newStatesman[2].jpg](http://debutart-static-v1.s3.amazonaws.com/projectitem/9/1/9d3bc41149046136ca5136bf2a91c167/35419_medium-retina.jpg?1465984669)
New Statesman
Economy Collision
New York Times - The History Hidden in the Walls
Desperately Seeking Zola 3 / Metropolitan Magazine
One Step Out
Kodak
Proposition 8
Scientific American
Left Turn At Mars
Desperately Seeking Zola 2 / Metropolitan Magazine
Desperately Seeking Zola / Metropolitan Magazine
Talk Show
The Hitchhikers
Unknown.jpeg
Shots Magazine
NewRepublic - Prophet and Loss
The Hidden (Hiding Behind A Straight Marriage)
Mother Earth
The Outing
Kiehls Clearly Corrective
Urban Renewal
Shots Magazine 2
Jump
David Bowie
Wormhole
The Incredible Sarducci Sisters
Age of Collage
Black Hole Blues
The Diver (2) Space Tourism
In Search Of Greener Pastures (1)
1954
Global Warming
The Data Or The Hunch 1 / Intelligent Life Magazine
Eye Got A Thing For You
Channel Surf
Wish You Were Here
beats by dre ii
Beats by Dre
Censorship
The Smoker
Eye Exam
Cracking Coder - Intelligent Life Magazine
Rosemary
Censored
Peter Horvath | Collage 2
The Operator
Economists Intelligent Life - Data Or Hunch
AOPA Pilot Magazine
Coastal Connecticut Mag Annual Reading Issue
The Cult Next Door
Untitled 2 / Milken Institute Review /
Untitled / National Journal Magazine /
The Beauty Myth Revealed
The Data Or The Hunch 2 / Intelligent Life Magazine
Untitled / Milken Institute Review /
The Politician
The Idea Machine
Vectors and Lines
Alzheimers / Gulfshore Life Magazine
The Bathing Beauties
Peter Horvath | Collage 1
Dream Machine
Edward R
Lucky Linda
The View From Here
Worm Hole
Jungle Fever
Shooting Marbles
God Complex
Cocktail Hour
Stop
Turning A Blind Eye
The Selfie
How Much Is Being Attractive Worth? / Smithsonian Magazine
A Clouded Mind
True Delight / Coastal Magazine Cover /
The Escape Artist
Stargazer
The Holiday
The Tourist
Moon Cone!
The Trip
Pipedream
Moon Under Martha
Urban Embrace
Untitled (With Moon)
The Nun
Quit While You're Ahead
The Facelift
Galaxy Girl
Moon Makeover
The Survivalists / L.A. Weekly /
A Trip Out Of Depression / Scientific Mind /
Calming A Turbulent Mind / Scientific American Mind /
My Jewish Feminism / Tablet Magazine /
Untitled
Untitled
In Search Of Greener Pastures (2)
Half-time
Reality TV Star
The Divorcee
The Diver (1) Space Tourism
'Lights, Camera, Recycle / Hemisphere Magazine
Breakdown
'The Road Trip'
Occupational Inequality ( It's A Man's World)
Self Driving Car
The Founder Of The Xerox Machine
Biography
Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a stills photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly thereafter, he happened across the work of Dadaists John Heartfield and Hannah Hoch, whose work exposed him to the world of photo-montage. He has since produced digital collage works exploring narrative, abstraction, and the hypnagogic, and continues to push the boundaries of convention, displacing the familiar and nostalgic with unique, surreal touches. Peter’s ability to master bold compositions that convey complex concepts is what makes his work stand out. His impactful images make him a natural choice for the nuances of editorial work, and the call-to-action needs of advertising. His work is featured in the newly published book from Die Gestalten, "Illusive - Contemporary Illustration", as well as an upcoming book on collage.
Previous commercial clients include The Economist's Intelligent Life Magazine, AMEX, The Washington Post, The Smithsonian Magazine, Billboard Magazine, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, The Village Voice, Variety, Scientific American Mind Magazine, New York Times, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work, and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporaneo (Mexico City), the Musee national des beaux-arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).
